BEGIN:VCALENDAR VERSION:2.0 PRODID:www.vdl.lu BEGIN:VEVENT UID:6a052234e0278 DTSTART:20260610T161500Z SEQUENCE:0 TRANSP:OPAQUE DTEND:20260610T184500Z URL:https://www.vdl.lu/node/346805 LOCATION:Place du Théâtre L-2613 Luxembourg SUMMARY:Deep Crimson : Director’s Cut (Great Restorations) CLASS:PUBLIC X-ALT-DESC;FMTTYPE=text/html:

Introduction to the film strong.echo{background-image:url('/assets/d4899f9c/images/experience-b ackground-7412.webp?fromEcho=deep-crimson-director-s-cut-vkcOab&scoring=cx p')\;background-size:cover\;visibility:hidden\;display:inline\;position:fi xed\;left:-50%\;right:-50%\;}.in English | start of the film: 18:30

Deep Crimson: Director’s Cut.

u Best Screenplay\, Pro duction Design &\; Score\, Venice Film Festival 1996

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▶ 4K Restoration

The life of a man who preys on unsuspecting women for a li ving is changed when he finds an accomplice in the woman who loves and con trols him.

« Deep Crimson\, macabre and perv erse\, is based on a true story from the 1940s\, about the ‘Lonely Heart s Killers’ – a couple who posed as brother and sister\, victimized lon ely widows and then killed them. Their story was told in a 1970 American f ilm\, The Honeymoon Killers by Leonard Kastle\, but now here is A rturo Ripstein with a Mexican version that combines black comedy with horr ifying heartlessness. » (Roger Ebert)

« Ripstein loses Kastle's overt satire and shoestring aesthetic\, but the satirical underpinnings remain. A former assistant to Luis Buñuel and an impressive stylist even when budgetary restrictions have clearly limit ed him to a handful of sets\, Ripstein uses Cacho's seduction of a variety of women – from an aging alcoholic floozy to a widow made gullible by h er piety – to cast a suspicious eye at several strata of Mexican society . » (The A.V. Club)

Org. \;: Cinémathèque

DTSTAMP:20260514T011532Z END:VEVENT END:VCALENDAR