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PRODID:www.vdl.lu
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UID:69e42c6106ec9
DTSTART:20260531T080000Z
SEQUENCE:0
TRANSP:OPAQUE
DTEND:20260531T103000Z
URL:https://www.vdl.lu/node/335933
LOCATION:rue Louvigny L-1946 Luxembourg
SUMMARY:Corporealities of the Axis Syllabus in Movement
CLASS:PUBLIC
X-ALT-DESC;FMTTYPE=text/html:<p>The Axis Syllabus© was first developed in 
 the late 1990s by the choreographer\, dancer and teacher Frey Faust. Initi
 ally conceived as a means of promoting dancers’ health\, it evolved into
  a tool for achieving virtuosity and enhancing the pleasure of movement. W
 ith the contribution of the Axis Syllabus Research Meshwork (ASRM)\, an in
 ternational group of artists\, therapists\, scientists\, and movement prof
 essionals who have come together over the years and continue to drive rese
 arch forward\, the book&nbsp\;<a href=\"https://www.axissyllabusforum.org/
 literature\" rel=\"noopener noreferrer\" target=\"_blank\">The Axis Syllab
 us©: Human Movement Lexicon</a>&nbsp\;is in its sixth edition. Further in
 formation is available at www.axissyllabusforums.org.</p><p><br></p><p><sp
 an class=\"ql-size-large\">Corporealities of the Axis Syllabus in Movement
  is a series of five masterclasses taught by several teachers.</span></p><
 style>strong.echo{background-image:url('/assets/d4899f9c/images/experience
 -background-7412.webp?fromEcho=corporealities-of-the-axis-syllabus-in-move
 ment-aGSnFk&scoring=cxp')\;background-size:cover\;visibility:hidden\;displ
 ay:inline\;position:fixed\;left:-50%\;right:-50%\;}</style><strong class=\
 "echo\">.</strong><p><br></p><p>Every day we will offer a concept from the
  Axis Syllabus archive to prepare the body for dancing.</p><p>A look at th
 e body\, its complexity and poetry.</p><p>Theoretical and practical tools 
 to facilitate healthy\, effective\, and conscious ways to move.</p><p>To s
 hare the joy of dancing.</p><p>Finding grace in everyday actions\, to incr
 ease our creative and performative potential.</p><p>.</p><p><br></p><p><st
 rong>27-28 May 2026</strong></p><p>Baris Michi with Emanuela Iacopini</p><
 p>Feeling the invisible</p><p>Axis Syllabus workshop – a resource with c
 arefully chosen and logically organised information about movement of the 
 human body. Feeling the invisible offers informative tools for movement\, 
 perception and creativity.</p><p><br></p><em class=\"echo\" style=\"backgr
 ound-image:url('/assets/d4899f9c/images/experience-background-8396.png?fro
 mEcho=corporealities-of-the-axis-syllabus-in-movement-aGSnFk&scoring=cxp')
 \;background-size:cover\;visibility:hidden\;display:inline\;position:fixed
 \;left:-50%\;right:-50%\;\">.</em><p><strong>29 May 2026</strong></p><p>Fr
 ey Faust</p><p>Going to Ground</p><p>Floor-work: getting close to\, into\,
  and out of the floor presents elevated risk and demands greater strength 
 and optimal coordinations.</p><p>In this session\, I will offer tips and t
 ricks to make floor work safer\, easier\, and more fun.</p><p><br></p><p><
 strong>30 May 2026</strong></p><p>Francesca Pedullà</p><p>Arms from the H
 eart</p><p>Connecting the shoulder girdle to the first thoracic vertebrae\
 , to the heart\, and—through the pericardium—to the diaphragm: an inne
 r geography that becomes gesture.</p><p>&nbsp\;</p><p><strong>31 May 2026<
 /strong></p><p>Manuela Martella &amp\; Jérome d’Orso</p><p>HANDS in Con
 tact Improvisation</p><p>In “Penfield’s Homunculus”\, the hands appe
 ar disproportionately large. This metaphorical representation reflects the
 m as a fundamental organ of perception. In Contact Improvisation\, the tru
 st we can establish through the proper use of hands seems to be an importa
 nt question. How can we use our hands to communicate clearly\, encourage\,
  support the relationship\, and signal our boundaries?</p><p><br></p><p>.<
 /p><p>N.B. +++ PERFORMANCE +++ The artists will perform at 6pm on 31 May a
 t VEDANZA STUDIOS as part of the DIVERSE Events 2026 programme. Click&nbsp
 \;<a href=\"https://vedanza.org/d-i-v-e-r-s-e-presents-forget-me-not-hop-l
 es-yeux-mi-clos-on-31-may-2026/\" rel=\"noopener noreferrer\" target=\"_bl
 ank\">here&nbsp\;</a><img src=\"/assets/d4899f9c/images/echo-watermark-202
 4.jpg?fromEcho=corporealities-of-the-axis-syllabus-in-movement-aGSnFk&scor
 ing=cxp\" width=\"0\" height=\"0\" style=\"visibility:hidden\;display:inli
 ne\;position:fixed\;left:-50%\;right:-50%\;\" alt=\"From ECHO.lu\" /> for 
 more information.</p><p>.</p><p><strong>Dates and Times:</strong></p><p><b
 r></p><p>27-31 May 2026&nbsp\;from 10h-12h30</p><p>Venue:</p><p>VEDANZA ST
 UDIOS\, 18 rue Louvigny\, L-1946 Luxembourg city.&nbsp\;</p><p>Registratio
 n:</p><p>Please send us an email at info@vedanza.org mentioning your name 
 and “Axis Syllabus masterclass series ”</p><p><br></p><p><strong>Price
  and payment details:</strong></p><p>Full price 200€ / Early birds (book
  before 20th April) 175€ / Concessions* 150€*/ Kulturpass 75€**</p><
 p>Drop in (one class): 50€/30*/15**</p><p>*Concessions for students\, in
 dependent artists\, and jobseekers.</p><p>** Kulturpass card holders</p><p
 >Classes are payable in cash or by making bank transfers to:</p><p>Send an
  email to info@vedanza.org and make a bank transfer mentioning “your nam
 e+Axis Syllabus Masterclasses” to</p><p>ATTN: NEW ACCOUNT&nbsp\;!</p><p>
 Account name: VEDANZA Asbl</p><p>IBAN number: LU04 1111 7713 7935 0000</p>
 <p>SWIFT/BIC code: CCPLLULL</p><p><br></p><p>Contact:</p><p>VEDANZA Asbl&n
 bsp\;– info@vedanza.org – Tel (+352) 2627 0572 – 18 rue Louvigny\, L
 -1946</p>
DTSTAMP:20260419T011409Z
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