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Programme en mai

Di 02 | 05 à 20h00 : Lᴏᴜʟᴏᴜ    
because of Pialat’s willingness to explore uncomfortable truths and gray areas
(France 1979 | Maurice Pialat | vostang | 100’
)

Di 09 | 05 à 20h00 : 42ɴᴅ Sᴛʀᴇᴇᴛ     🎟
because of Busby Berkeley’s iconic choreography
(USA 1933 | Lloyd Bacon | vostf | 89’)

Di 16 | 05 à 20h00 : Lᴇ ᴠᴇɴᴛ ɴᴏᴜs ᴇᴍᴘᴏʀᴛᴇʀᴀ     🎟
because of Kiarostami’s humanity and painstaking simplicity
(Bad ma ra khahad bord
| Iran 1999 | Abbas Kiarostami | vostf+all | 118‘)

Di 23 | 05 à 20h00 : Tʜᴇ Cᴏɴᴠᴇʀsᴀᴛɪᴏɴ     🎟
because Coppola turns a thriller into a thrilling character study
(USA 1974 | Francis Ford Coppola | vostf | 113‘)

Di 30 | 05 à 20h00 : Psᴀᴜᴍᴇ ʀᴏᴜɢᴇ     🎟
because Jancso is one of cinema’s great poets of camera movements
(Még kér a nép | Hongrie 1972 | Miklós Jancsó | vostf | 84‘)

Programme en juin

Di 06 | 06 à 20h00 : Uᴍʙᴇʀᴛᴏ D.
♥ because Italian neorealism is, at its purest, about dignity and survival
(Italie 1951 | Vittorio De Sica | vostf | 88’
)

Di 13 | 06 à 20h00 : Lᴇs Rᴇʙᴇʟʟᴇs ᴅᴜ ᴅɪᴇᴜ ɴᴇᴏɴ    
♥ because Tsai Ming-liang’s film is one of the great odes to metropolitan life
(Taïwan 1992 | Tsai Mingliang | vostf | 106’)

Di 20 | 06 à 20h00 : Gᴇɴᴛʟᴇᴍᴇɴ Pʀᴇꜰᴇʀ Bʟᴏɴᴅᴇs     
♥ because Monroe and Russell burn up the screen together
(USA 1953 | Howard Hawks | vostf | 88’
)

Di 27 | 06 à 20h00 : Hᴀᴘᴘʏ Tᴏɢᴇᴛʜᴇʀ     
♥ because Wong Kar-wai’s neon-lit romantic fever dreams are unique
(Chun gwong cha sit | Chine 1997 | Wong Kar-wai | vostf | 96’)

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